All India Radio Signature tune.:violin: The first Radio set in our home at Coimbatore was purchased by my father in 1943. It was a six valve HMV Radio of British make, with wooden cabinet. My father told that he selected a set without magic eye, since one valve would be wasted on the magic eye.
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The signature tune for AIR (All India Radio) was composed and set to music by Thakur Balwant Singh in 1936. Still according to some others, in the year 1936, the signature tune was composed by Walter Kaufman, the director of western music programs in Bombay.That the antiquity of this tune is 1936, is certain.Every morning since then, this otherworldly tune has been played at the beginning of the morning telecast of AIR, and with time has etched itself into the memories of everyone who listened to radio in India. Some brooding morning sounding: melancholic, and on some bright mornings sounding: still more melancholic.-0-.Found it thanks to this wonderful site:The site has an almost comprehensive collection of audio clips of foreign radio stations from all around the globe.
It is a must for all those with an ear for the radio signals.-0-Read more about the Sound of AIR at-0-You might also like to read this post:. Some people recall the faces and some people recall the names.
Here are images of some of the famous readers and presenters of Doordarshan down the years. If you recognize any of them, leave a comment. Update 1: Most of the faces now have names thanks to helpful comments by Update 2: Included image of one of the earliest presenters, Gopal Kaul.
Send in generously from personal collection by son, Ashutosh Kaul. Sept, 2010. Major Update 3: Got a tip-off about a documentary about the famous faces of Doordarshan from the makers of “The Golden Trail, ” from which these caps were taken. I managed to catch the incredible documentary and am adding some more faces/name and part of the docu here. New ones can be found after the image of Narotam Puri. 30th Oct, 2010Pratima Puri.
Believed to be the first Doordarshan reader. He put a cigarette in his mouth and, as a matter of silent routine, offered one to Gwyn, who said ‘No thanks.”Richard looked at him.”I packed it in.”'You what?”'I stopped. Three days ago. You just make the life choice.”Richard looked up and inhaled needfully. He gazed at his cigarette. He didn’t really want to smoke it.
He wanted to eat it. Almost the only thing that he still liked about Gwyn was that he still smokedParadoxically, he no longer wanted to give up smoking: what he wanted to do was take up smoking. Not so much to fill the little gaps between cigarettes with cigarettes (there wouldn’t be time, anyway) or to smoke two cigarettes at once. It was more that he felt the desire to smoke a cigarette even when he was smoking a cigarette. The need was and wasn’t being metWhile it would always be true and fair to say that Richard felt like a cigarette, it would now be doubly true and fair to say it. He felt like a cigarette.
And he felt like a cigaret.Updated with corrections pointed out by, author of some incredible book on Yodeling including Yodel-Ay-Ee-Oooo: The Secret History of Yodeling Around the World.-0-'s brother Anoop Kumar, who we basically know for the line ' O manu tera toh hua ab mera kya hoga', used to own lots of Austrian music records. And from these records, Kishore Kumar picked up the art of Yodel singing, an art perfected in bathroom and then introduced by him to the world of Hindi film music. According to his biography 'Kishore Kumar: method in madness ' by Derek Bose, 'Kishore was a fan of the Swiss singer. an Australian cowboy born in New Zealand who sang in the gene autry / Jimmie Rodgers style and the Australian., perhaps the most American and one of the most famous yodelers in the world, famous for his blue yodels as well.'
Although most of these songs by Kishore Kumar are thought to be '.